The Worlds Story a History of the World in Story Song and Art the Watch on the Rhine

(L–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photo Courtesy: Amy Davis/Baltimore Sun/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you've ever taken an art history class or spent time in a fine arts museum, chances are y'all know a lot about the men who "defined" their mediums. Every bit with other subjects, most of what we larn virtually art history today still centers on white men from Europe and, later, the United States. In reality, there are so many more artists of all genders to learn from and appreciate.

Here, we're specifically taking a look at but some of the women who have had lasting impacts on their fine art forms. From some of the art world'southward well-nigh iconic pioneers to its most unsung heroes, these women artists all had a hand — and, in some cases, all the same have a mitt — in changing the world of fine art and how we define it.

Laura Wheeler Waring

Laura Wheeler Waring'due south portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Eatables

Laura Wheeler Waring was an artist and educator who taught at Cheyney University in Pennsylvania for more than than 30 years. Subsequently studying the work of painters like Cézanne and Monet while abroad, she returned to the United States, becoming best known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Two photographs from Cindy Sherman's Untitled Picture Stills (1977–80). series. Photos Courtesy: Museum of Modern Art (MoMA)

Photographer Cindy Sherman was role of the Pictures Generation during the 1980s, and is perhaps most well known for her series of Untitled Motion-picture show Stills (1977–lxxx) — cocky-portraits in which Sherman "posed in the guises of various generic female film characters, amidst them, ingénue, working girl, vamp, and lone housewife" (via MoMA). In this serial, and those that followed, Sherman used photography to question the media'due south influence over our individual and collective identities.

Yoko Ono

A still from the performance Cut Piece, 1964, and a picture of the installation Half-A-Room, 1967, equally seen at the Museum of Modern Art in New York City in 2015. Photos Courtesy: Museum of Modern Art (MoMA)

You might outset recall of Yoko Ono equally a musician and activist, but she'south besides an accomplished performance and conceptual creative person. Ono was considered a pioneer in the operation art motion, earning the nickname the "High Priestess of the Happening".

Ane of her nearly revered works, Cut Slice, was a performance she start staged in Japan; Ono sat on stage in a overnice conform and placed scissors in front of her, and, in an human action of daring vulnerability, invited audience members to come up on stage and cut away pieces of her article of clothing. "Art is like breathing for me," Ono has said. "If I don't do information technology, I outset to choke."

Betye Saar

Betye Saar'south Blackness Girl'southward Window, 1969 (total and particular). Photos Courtesy: Museum of Modernistic Fine art (MoMA)

Before becoming a printmaker and activist, Betye Saar studied design and was employed every bit a social worker. A printmaking constituent changed her entire career trajectory — and, in plow, part of the trajectory of fine art history.

Saar was office of the Blackness Arts Movement in the 1970s and, through painting and aggregation, critiqued institutionalized racism and the racist stereotypes white people held toward Blackness Americans. "To me the flim-flam is to seduce the viewer," Saar has said. "If you can get the viewer to await at a piece of work of art, then you lot might be able to give them some sort of message."

Frida Kahlo

People look at Frida Kahlo's 1939 painting Las Dos Fridas at the World Forum of Civilization in 2007, which was held in Mexico. Photo Courtesy: Alejandro Acosta/AFP/Getty Images

It's rare to find someone who hasn't at to the lowest degree heard of Frida Kahlo. A self-taught painter from Mexico, she is best known for exploring themes like death and identity through her cocky-portraits. Kahlo often used assuming, vivid colors to create her symbol-rich works, and was regarded as one of the most influential artists of the Surrealist motility.

Yayoi Kusama

A viewer photographs inside the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama's Infinity Mirrors showroom at the Hirshhorn Museum Feb 21, 2017 in Washington, D.C. Photo Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very immature age, but she's also known for her hyper-real sculptures, polka dots, installations, and so much more. Similar many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her piece of work. Today, she continues to create works for her enduring Mirror/Infinity rooms series, which utilize mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Onetime First Lady Michelle Obama (L) and creative person Amy Sherald (R) unveil Mrs. Obama's portrait at the Smithsonian's National Portrait Gallery in Washington, D.C. on February 12, 2018. Photo past Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Black Americans, often doing everyday activities — something that became more mutual in portraiture writ large in the mid-19th century. Odds are that yous recognize Sherald's piece of work — and her signature grayscale skin tones — as she was the beginning Blackness adult female to consummate a presidential portrait for the Smithsonian's National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors abreast a piece of work from her series, Pelvis Series Red With Yellow in Albuquerque, New Mexico. Photo Courtesy: Tony Vaccaro/Getty Images

Known as the mother of American modernism, you likely acquaintance Georgia O'Keeffe with her paintings of New United mexican states's landscapes, flowers, skulls, and, only maybe, the skyscrapers of New York City. In the 1920s, she was the offset woman painter to gain the respect of the New York art world, all past painting in her unique mode.

Adrian Piper

Adrian Piper wins the Golden King of beasts for best artist in Okwui Enwezor's biennial exhibition All the Globe's Futures, function of the 56th Venice Biennale in 2015. Photo Courtesy: Enkindling/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual creative person in 1970s New York Metropolis. She used her piece of work to question society, identity, and racial politics by enervating the audience to confront truths about themselves. She often challenged people on the streets of New York to guess her race, socio-economic class, and gender — all while dressed as a Black man with a fake mustache and sunglasses, or while wearing compelling statements on her clothes.

Shirin Neshat

Shirin Neshat'due south poses in forepart of a photograph in her exhibition Our House Is on Fire at the Robert Rauschenberg Foundation in New York Metropolis in 2014. Photo Courtesy: Cem Ozdel/Anadolu Agency/Getty Images

Shirin Neshat left Islamic republic of iran in 1974 to study art in Los Angeles, California — before the Islamic republic of iran Islamic Revolution took place. She is best known for her photography, film, and video work, much of which explores the human relationship between Islam's cultural and religious systems and women. Moreover, Neshat's works often create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer continuing in front end of her installation at the Guggenheim Museum. Photo Courtesy: Marianne Barcellona/Getty Images

As a neo-conceptual creative person, Jenny Holzer'south work focuses on words and ideas, which she puts on advertising billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that act as meditations on various concepts, such as trauma, noesis, and hope. One of her more notable works, I Smell You On My Peel, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore'southward Fringe, 2008. Photo Courtesy: Art Gallery of Ontario (Ago)

Much of Rebecca Belmore's art addresses identity and history — and, in item, houselessness and the voicelessness of the First Nations People in Canada. Every bit an Anishinaabekwe artist, she works to raise awareness around the prejudice, violence, and attempted erasure of Ethnic Northward American civilization. In 2005, she was the first Indigenous woman to stand for Canada at the Venice Biennale.

Louise Bourgeois

A person looks at Louise Bourgeois' Spider. Photo Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Conservative is better known for her installation art and sculptures — similar the spider above — which were inspired past her own experiences and memories. Throughout her career, she created revolutionary works during a time when brainchild and conceptual art were the main styles shaping the art earth.

Mickalene Thomas

Mickalene Thomas' A Piddling Taste Exterior of Love, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced by pop culture and pop art, Mickalene Thomas oftentimes embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Black American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago'south seminal piece of work The Dinner Party. Photo Courtesy: Brooklyn Museum

Judy Chicago was ane of the major figures within the early Feminist Art movement. As exemplified in her iconic work The Dinner Party, her installation pieces frequently examine the role of women in history and culture — in the 1970s and before. While at California State University in Fresno, Chicago founded the commencement feminist fine art program in the U.s.a..

Augusta Savage

Augusta Savage with one of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Archives of American Art/Wikimedia Commons

Augusta Barbarous was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In add-on to creating breathtaking sculptures, ofttimes of Blackness folks, Brutal founded the Savage Studio of Craft in Harlem in 1932, and, a few years later on, she became the first Black American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photo Courtesy: Museum of Modern Art (MoMA)

Known for her provocative performance fine art practices, Carolee Schneemann is considered the progenitor of "torso art". (Just look up her near famous work, Interior Roll, and you lot'll see what we mean.) She used her body to examine women's sensuality and liberation from the oppressive aesthetic and social conventions established past our patriarchal society.

Nan Goldin

Nan Goldin's Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Commons

Famous for her in-the-moment photography, Nan Goldin's work challenges traditional power relations. In addition to documenting New York City's queer subculture mail-Stonewall, Goldin explored the HIV/AIDS crunch, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol's Marilyn Monroe (1967) past Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this look like an Andy Warhol to you? Well, that'due south the thought! Elaine Sturtevant, who went by her last name professionally, was a conceptual artist known for her inexact replicas — that is, not-quite-right copies of big-name artists' work.

Some artists and critics encouraged her efforts, while others became quite angry. Even so, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of fine art civilisation.

Ruth Asawa

Various hanging sculptures past Ruth Asawa at the De Young Museum in San Francisco. Photo Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly complex wire sculptures. A San Francisco-based artist, Asawa'due south last public commission was the Garden of Remembrance at San Francisco State University, which was created to recognize Japanese Americans who were interned during World War Two.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on November viii, 2007 in New York City. Photo Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and landscape photography, Catherine Opie has been a photographer since the age of 9. She uses her photography to examine social norms, and, in doing so, displays various subcultures in formal portraits — but in a manner that conveys power and respect by evoking traditional Renaissance portraiture.

micha cárdenas

However from Sin Sol (No Dominicus) VR game. Photo Courtesy: micha cárdenas/YouTube

micha cárdenas is an artist, author, theorist, and assistant professor who won an Affect Award at the Indiecade Festival in 2020 and the Creative Award from the Gender Justice League in 2016. She believes education is the path to liberation and uses VR and fine art to address global issues such every bit racism, gendered violence, and climate change.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photo Courtesy: Tristan Fewings/Getty Images for Barbican Fine art Gallery

Lee Krasner was an Abstruse Expressionist painter who also specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Administration (WPA).

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